By Edda Braune. Kitchen. Friday, October 06th 2017, 06:09:18 AM.
For the modernists out there, you would think picking finishes and fixtures would be easier, with less adornment and fewer decisions to make. For some this might be true, but I find that for others this style can be just as challenging. It's all about restraint and editing, and that's hard.
White on white. This kitchen is in sync with the overall design of the house. "It's part of a new French‐inspired home on South River in Annapolis, Maryland", says Brad Creer of Bradford Design. "The wife wanted an all‐white house both inside and outside, including the furniture. The only other colors are the limited use in some of the accents. And the only nonwhite space in the home is the husband's large barroom, which has a dark wood finish".
Emphasize repetition and balance. "I decided to do a black Hungarian crystal chandelier in the kitchen because this is a loft, and the dining area was in an 'L' off of the kitchen", says Amy Beth Cupp Dragoo of ABCD Design. "You could see the two smaller clear crystal chandeliers over the dining table from every angle in both areas". "Repetition, balance and scale are all important elements in a good design, so I felt I was left no choice", she explains. "I had two clear smaller ones on one side, so I had to have a large one on the opposite side. I also wanted the fixture to stand out against the white wood hood and kitchen cabinets, and it needed to play off the black enamel Viking range. We already had black and white happening throughout the kitchen, and I felt the clear crystal wouldn't pop like the black would. It was the obvious choice for the room".